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The last painting of the series. It’s on the way. The Re-education exhibition, featuring paintings from the series, opens on October 8th. Curated by Henrique Menezes. If you are in São Paulo, be sure to visit.

 
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In his mind, the pastures drifted away; the birds that used to land on his back and peck at his skin slipped from memory; the streams his hooves had feared to cross kept flowing. Blood trickled down, soaking the hair on his head as the flesh grew cold at its final destination.

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WIP - From the *Fractura* series: moving from drawings to small-format works—shifting in scale and transitioning from line to wash—revealed both challenges and a compelling process. This transition demonstrated that these distinct approaches invigorate one another, shift the viewer's gaze, and demand new compositions.

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I've been working on this new series for the past few months. The impetus came from the drawings, some of which have been posted here. Then I experimented with painting these mimetic figures on textured wood; the change of scale is a fruitful exercise at this stage of creation. The fractures, fissures, and collapses that form landscapes and mineral bodies also occur in animals and humans. Robert Smithson wrote about the "sedimentation of the mind" and this cordial relationship with matter. What he saw inside is possible to see outside, as evidence of the atomic elements that constitute all these bodies and how time and natural phenomena transform reliefs and bodies so distinct, yet permeable to the same forces.

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My pain, thank you. The Fracture series continues to grow, even when the artwork is small. Painting on wood, 15 x 15 x 5 cm. Have you heard of Alabaster de Plume? You should!

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Aspetta Il Figlio stupido | Listen to Pharoah Sanders and watch what a stupid narcissist is doing in the Americas.

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Apollinaire was not French.

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Rivers, veins and arteries, nerves, cracks in the thread of memory are similar to the fissures that cause mountains to crumble.

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